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1988. p. 8. (.pdf)

Phillips, Patricia C. "Kristin Jones and Andrew Ginzel, CITY HALL PARK." ARTforum. January 1988. pp. 118-119; ill. (.pdf)

Quinn-Ortiz, Patricia, ed. "Exhibitions: Kristin Jones and Andrew Ginzel." Magazine of the Wadsworth Atheneum. Winter, 1988. p. 6; ill.

Wosk, Julie. "Art/Science Forum." Leonardo, 1988.
pp. 318-321.

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Barzel, Amnon, et. al, text. Spazi '88 / Spaces '88 (Group exhibition catalog with texts). Prato, Italy: Museo d'Arte Contemporanea, 1988. pp. 84-91; ill.

Miller-Keller, Andrea, text. Matrix 99 (Exhibition pamphlet with text). Hartford, CT: Wadsworth Atheneum, 1988. ill.

Rouse Artist-In-Residence Program (Exhibition pamphlet). Cambridge, MA: Harvard University Graduate School of Design, 1988. ill.

Taylor, Frederieke S., text. Constructions: Between Sculpture and Architecture (Group exhibition catalog with text). New York: Sculpture Center, 1988. pp. 12, 13; ill.

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Adler, Margo. "Public Art." Weekend Edition. National Public Radio. November 15, 1987 and additional broadcasts

Johnson, Barry. The Oregonian, October 11, 1987.

Morgan, Robert C. "The Spectacle in Time: A New Look at Art in Technology." Arts Magazine. October 1987. pp. 76-79.

McGill, Douglas C. "Curator of the New York Streets." The New York Times. September 19, 1987. Arts/Entertainment Section.

Walth, Brent. "Arts: Breaking with Convention, Oregon's Biggest '1 Percent' Program is Innovative. But Is It Fair? " Willamette Week (Willamette, Oregon). August 27 - September 2, 1987. pp. 12-13.

Bodine, Harry. "8 Chosen to Help Add Artistic Touch to Oregon Convention Center." The Oregonian (Portland, Oregon). August 25, 1987. p. B5.

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“Kristin Jones and Andrew Ginzel Present ‘Panonemone’ in City Hall Park” (Press Release). New York: Public Art Fund, August 1, 1987.

Heartney, Eleanor. Review of P.U.L.S.E. Art in America. July 1987. p. 122.

Evans-Clark, Phillip. "P.U.L.S.E. " Art Press (Paris, France). June 1987. p. 66.

Heiss, Alanna, Tom Finkelpearl and Jenny Dixon. P.U.L.S.E.: A Project of the David Bermant Foundation: Color, Light, Motion (Group exhibition catalog). New York: Institute for Art and Urban Resources and the Lower Manhattan Cultural Council, 1987. p. 8; ill.

Review of P.U.L.S.E., Flash Art (Italian Ed.), p. 90.
Smith, Roberta. "Singular Artists Who Work in the First Person Plural." The New York Times. May 10, 1987. p.B29, B33.

Engler, Brigitte. Paper. May 1987. p. 41.

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McGreevy, Linda. Review of P.U.L.S.E. Portfolio Magazine. April 28, 1987. p. 31.

Smith, Roberta. "Group Exhibitions Show off New Talent and Striking Styles." The New York Times. April 24, 1987. pp. C1, C28.

Levin, Kim. "Fascination." The Village Voice. April 12, 1987. pp. 71, 93.

Schwendinger, Leni. Lumieres: Perception-Projection. (Exhibition catalog). Centre International d’Art Contemporain de Montréal. March-April 1987. p. 42.

Sugiura, Kunie. "From Abroad, News from New York: Kristin Jones and Andrew Ginzel, Vis a Vis." Bijutsu Techo Monthly Art Magazine (Tokyo, Japan). March 1987. p. 100; ill.

Adams, Brooks. "Kristin Jones & Andrew Ginzel at Art Galaxy." Art in America. March 1987. p. 139. (.pdf)

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ill. Tully, Judd. "Kinetic Sculpture." Cover. February 1987. p. 5; ill. [Vis a Vis]

Bass, Ruth. "New York? New York!" Art Talk (Dallas, Texas). February 1987. p. 40; ill. (.pdf)

Levin, Kim. Review. The Village Voice. January 20, 1987. p. 81.

Levin, Kim. "Kristin Jones & Andrew Ginzel." The Village Voice. January 13, 1987. Centerfold, p. 68.

Cubbs, Joanne. Eccentric Machines (Group exhibition catalog). Sheboygan, Wisconsin: John Michael Kohler Arts Center, 1987. ill.

New York Foundation for the Arts. 1987 Artists’ Fellowships. New York Foundation for the Arts. p. 64.

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Verzura, Donatella, and Gregorio Magnani. "Lumieres." Flash Art (Italian Ed.). November 1986. p. 64. Also in French in Flash Art (International Edition). December 1986 - January 1987. p. 115.

McGill, Douglas C. "Art People: Collaborators Depict Nature." The New York Times. November 21, 1986. p. C33; ill. (.pdf)

Phillips, Patricia C. "Art in the Anchorage." ARTforum. November 1986. pp. 139-140.

Advertisement for Vis a Vis. ARTforum. November 1986.

Evans-Clark, Phillip. "Montreal, Lumieres." Art Press (Paris, France). November 1986. p. 65.

Pozzi, Lucio. "Che ve ne sembra dell'America? Il teatro di Giulio Camillo contro l'amnesia morale dell'America d'ogg." Il Giornale dell'Arte. November 1986. ill.

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Gottesman, Alice and Donald, Linda. "They Do Windows: Notable Displays." The Village Voice. October 21, 1986. p. 33.

Howell, John. "Matthew Maquire, the Memory Theatre of Giulio Camillo." ARTforum. October 1986. pp. 135-136.

Gumpert, Lynn, interview. Triptych (Exhibition pamphlet with interview). New York: The New Museum of Contemporary Art, September 26-November 30, 1986.

Artner, Alan G. "44 Artists Show the Light Touch Has Many Facets." Chicago Tribune. September 14, 1986. Section 13, pp. 18-19. (.pdf)

Solomon, Alisa. "Theatre, the Memory Theatre of Giulio Camillo." The Village Voice. September 9, 1986. Centerfold, pp. 62-63; ill.

Cameron, Dan. "Ten To Watch." Arts Magazine. September 1986. pp.40-43; ill. (.pdf)

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Scala, Mark. "Kristin Jones/Andrew Ginzel, Chuck Henry." New Art Examiner. Summer 1986. p. 51; ill. (.pdf)

Evans-Clark, Phillip. "Messages Sent in the Medium of Light." The New York Times. August 17, 1986. p. B29. (.pdf)

Solomon, Alisa. "View from the Bridge." The Village Voice. July 1, 1986. p. 106.

Artner, Alan G. "What's New In Art?" Chicago Tribune. June 29, 1986. Section 13, p. 27.

Holland, Bernard. “Music: Images in ‘Memory Theater.’” The New York Times. Sunday,
June 29, 1986.

Levin, Kim. Review. The Village Voice. June 24, 1986.p. 76.

Dunning, Jennifer. "New Realm of Theatre Inside a Bridge's Vaults." The New York Times. June 6, 1986. pp. C1, C17. (.pdf)

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Proctor, Roy. "Intellectual Buttressing Accompanies Museum Exhibit." The Richmond News Leader. March 1, 1986. p. A57.

Saucer, Moira. "MUSEUMS: Spectacular Mosaics and Creations in Space at the Virginia Museum." Style Weekly (Richmond, VA). February 25, 1986. p.18.

Merritt, Robert. "New Shows Challenge Perceptions." Richmond Times-Dispatch. February 21, 1986. p. C8; ill.

Crutchfield, Margot. Installations (Exhibition brochure). Richmond, VA: Virginia Museum of Fine Arts. February 19-March 30, 1986. pp. 4-7

Boca Raton Museum of Art. Art in the Environment (Exhibition catalog publication in cooperation with The President’s Ball). February 1, 1986. p. 135; ill.

"On Location: Inventing Pangaea." Special Project for ARTforum, February 1986. pp. 4-5; ill.

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Princenthal, Nancy. "After Tilted Arc at Storefront for Art and Architecture." Art In America. February 1986. pp. 126-127.

Richmond Times-Dispatch. January 12, 1986.
pp. K-19; ill.

Creative Time, Inc. The Memory Theatre of Giulio Camillo (Exhibition catalog). New York: Creative Time, Inc., 1986.

Gould, Claudia. National and International Studio Artists Program 1985-1986 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower. p. 38; ill.

Invitational Exhibition (Group exhibition catalog). New York: Grace Borgenicht Gallery, 1986. ill.

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Advertisement: “PS 1 and the Clocktower’s
National and International Studio Artists Exhibition.” ARTforum. December 1985.

Brenson, Michael. "Art: P.S. 1 Shows Work of 35 Younger Painters." The New York Times. December 6, 1985. p. C26.

Panicelli, Ida. "Kristin Jones & Andrew Ginzel." ARTforum. November 1985. p. 102; ill. (.pdf)

Cameron, Dan. "Springtime on the Fringe." Arts Magazine. September 1985. p. 67. (.pdf)

Raynor, Vivien. "Downtown Scene: What's New and Fresh." The New York Times. February 15, 1985.
p. C20.

Mifflin, Margot. "Trunks of the Mind." High Performance. 1985. p. 92.

Gould, Claudia. National and International Studio Artists Program 1984-1985 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower, 1984-1985. p. 34; ill

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“E' Inoltre.” La Reppublica. June 1984.

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Byers, C. George. “Floating Worlds of Air and Light. Newport: This Week. May 6, 1982. Arts/Entertainment, p. 12. (.pdf)

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Sozanski, Edward J. “Light is Structural in Elastic Sculpture.” The Providence Journal, 1981

 

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