Bryen, Whitney. “Solstice Art Illuminates CU-Boulder Courtyard – Colorado Daily.” Colorado Daily. 21 Dec. 2010.


Alchemy. “Collage & Assemblage.” Albuquerque: 516 Arts, 2008. pp. 22, 23; ill.
Heartney, Eleanor. Art & Today. London: Phaidon, 2008. pp. 407, 409; ill.
“I, New York.” Time Out New York Issue 644: Jan 30-Feb 5, 2008.


Abbott, Helen and Neil Liebman. “The Flag Project: Contemporary Artists Celebrate The Opening Of A New Museum.” New York: The Rubin Museum of Art, 2007. pp. 84;176; ill.
Kuhn, Jonathan. “The Outdoor Gallery: 40 Years of Public Art in New York City Parks.” New York: City of New York Parks and Recreation, 2007. p. 36.


Annual Report, NYC Department of Cultural Affairs. 2006
Bloodworth, Sandra and William Ayres. Along the Way: MTA Arts for Transit. New York: The Monacelli Press, 2006. pp. 108-109; ill.


Kimmelman, Michael. “Risks and Rewards of Art in the Open.” The New York Times. August 19, 2005. Seabrook, John. “Down by the River; Rome Postcard Series: 5/5.” The New Yorker. Jul 4 2005. p. 033.
Shu, Catherine. “175 Years of Making History at Downtown Crossroads.” The Villager.
May 25 – 3, 2005.
Kurutz, Steven. “For a Mysterious Clock, Method in Its Madness.” The New York Times. May 1, 2005. p. 14.6
Heartney, Eleanor, with an introduction by Adam Gopnik.City Art: New York’s Percent for Art Program. New York: Merrell, 2005. pp. 12-13, 19, 23, 46, 144-6; ill.


Poole, Jennifer and Sarah Wyatt. The Invisible Thread: Buddhist Spirit in Contemporary Art (Exhibition catalog). Staten Island, NY: Newhouse Center for Contemporary Art, 2004. pp. 45-46; ill.


Onelli, Daniela. “Il futuro del Tevere primi interventi e un concorso di idée.” La Repubblica. June 7, 2003.
“Il Tevere fra luci e ombre.” Italian American Business. May-June 2003. p. 23.
Povoledo, Elisabetta. “A New Yorker works to celebrate the Tiber.” Italy Daily in the International Herald Tribune. May 23, 2003. p 5. [Also reprinted in Corriere della Sera, May 18, 2003. p. 53.]
Phillips, Patricia. “Public Art: A Renewable Resource.” In Malcolm Miles and Tim Hall, eds. Urban Futures: Critical Commentaries on Shaping Cities. New York: Routledge, 2003. pp. 124-126.


Kennedy, Randy. “Subway: A Borrowed Tear.” The New York Times. September 12, 2002. p. B11.
Appleson, Gail. “Eyes Keep Watch Deep Below New York’s Fallen Tower.” REUTERS. August 14, 2002.Ill.
Roots, Garrison. Designing the World’s Best Public Art. Australia: Images Publishing, 2002. pp. 59-65.
Schick, Monica. Discoveries: The Eclectic Art of the Midwest Airlines Center. Milwaukee, WI: The Wisconsin Center District, 2002. p. 45; ill.


Povoledo, Elisabetta. “New York Artist Wants To Add New Life To Tiber.” Italy Daily in the International Herald Tribune. August 2, 2001.
Ivey, Bill et. Al. A Creative Legacy: A History of the National Endowment for the Arts Visual Artists Fellowship Program. New York: Harry N. Abrams, Inc., 2001. p. 180.


Dobrzynski, Judith. “An Artists’ Retreat Reaches Out.”The New York Times. May 15, 2000. pp. E1, 6.
Morgan, Robert C. “Metronome.” Sculpture. May 2000. pp. 10-12; ill. (.pdf)
The New York Times. Letters. January 16, 2000.
p. 4; ill.
Muschamp, Herbert. “The Ominous Message of a Box on Union Square.” The New York Times. January 2, 2000. pp. 43, 48; ill. (.pdf)
LeBon,Ian. “Under Metronome.” Metropolis. January 2000. pp. 36, 48; ill. (.pdf)
Finkelpearl, Tom. Dialogues in Public Art. Cambridge: The MIT Press, 2000. pp. X, 45, 274, 352-377, ill. (.pdf)
Folmsbee, J. and B. McWilliams, producers. Egg: the arts show: Metronome. WNET Channel 13 Public Television. First airing: January 13, 2000.
Sarnoff, Irving and Suzanne Sarnoff. Intimate Creativity: partners in Love and Art. Madison: University of Wisconsin Press, 2000.
Targetti Artlight Collection (Group exhibition catalog of Targetti Artlight Permanent Collection). Florence, Italy: Targetti Artlight, 2000. pp. 138-139; ill.


“It’s About Time.” Art in America. December 1999. Front Page, p. 23; ill.
“Monumental Time Piece.” Bennington Notes. December 1999. ill.
Newhall, Edith. “Happening Time and Again.” New York Magazine. October 25, 1999. p. 110; ill. (.pdf)
Gaynor, James. “Citizens Panic! Art Eats Building On Union Square.” The New York Observer. October 15, 1999. p. 5.
“Craftsmen Combine Talents For Successful Art Project.”Metalworks. October 1999. pp. 1, 6; ill.
Kastner, Jeffrey. “A Giant Timepiece That’s also a Piece about Time.” The New York Times. September 19, 1999. pp. 38, 39; ill. (.pdf)
Kastner, Jeffrey, ed. “Deep Time Design.” Public Art Review. Fall-Winter 1999. Cover, p. 20; ill.
Cynthia Stockhammer, Producer. “Metronome.”Metroguide. Metro Television, Fall 1999.
Johnson, Ken. “A Fertile Garden of Sculptures.” The New York Times. August 13, 1999.
Copage, Eric V. “Giant Artwork to Announce Time in Infinite Detail.” The New York Times. June 13, 1999. ill. (.pdf)
Wines, Suzan. “Oculus & Metronome: two installations for New York City.” Domus. April, 1999. p. 34; ill. (.pdf)
Sinkler, Scott, Producer. “Oculus.” City Arts. WNET Channel 13 Public Television. Spring 1999.
Eakin, Hugh. “The Eyes Have It.” ARTnews. March 1999. ill. (.pdf)
“Art Installation.” The Villager. February 24, 1999. ill.
Van Gelder, Lawrence. “Eyecatcher.” The New York Times. February 10, 1999. (.pdf)
Portugues, Candida. “El mosaico que trae humanidad y consciencia al metro.” Tiempos del Mundo. Feb. 1999. ill.
“Downtown Event.” Downtown Express. January 19 – February 1, 1999. ill.
Anderson, Lincoln. “Union Sq. Artwall would be a ‘Cosmic Nexus.’” The Villager. January 20, 1999. ill.
“Above and Beyond.” The New Yorker. January 18, 1999.
Ramirez, Anthony. “Mosaic Is Ready for Rush Hour.” The New York Times. January 18, 1999. ill. (.pdf)
“Giant Mosaic in Winter Garden.” Downtown Express. January 5 – January 18, 1999.
Kadet, Anne. “Underground, the Eyes Have It – All 300 of Them.” The Tribeca Trib. January 1999. ill.
Celant, Germano and David Vaughan. Merce Cunningham. Milano: Charta, 1999. pp. 310-311.
Dawson, D.T. The New Mosaics. Ashville: Lark Books, 1999. Oculus p. 1.
Masello, David. New York’s 50 Best Works of Art in Public Places. New York: City & Co. pp.10,11,36,37; ill.


Lee, Linda. “Better Pay that Fare; Someone’s Watching.” The New York Times. December 31, 1998. ill. (.pdf)
Van Gelder, Lawrence. “To Behold.” The New York Times. December 30, 1998. ill. (.pdf)
Pou, Alyson. “Exploding the Model.” Public Art Review. Spring/Summer 1998. pp. 4-11; ill.
Rowlands , Penelope. “Living with Art, Steven and Nancy Oliver, You Dream It, We Build It.” ARTnews. March1998. pp. 104-108.
Public Art Fund. “New York Minute (Top 100 Treasures).” Art & Antiques. March 1998. p. 74; ill. (.pdf)
Artists in Action Program Report (Exhibition catalog). Brooklyn: The Brooklyn Academy of Music, 1998. ill.
The Edward R. Broida Collection (Exhibition catalog) Orlando: The Orlando Museum of Art, 1998. Cinis p. 89; ill.
Gould, Claudia and Valerie Smith. 5000 Artists Return to Artists Space: 25 Years. New York: Artists Space, 1998. pp. 46, 276.
Kostelanetz, Richard, Ed. Merce Cunningham: Dancing in Space and Time. New York: De Capo, 1998. p. 185.


Heartney, Eleanor. “A School for Sculpture.” Art in America. October 1997. p. 63; ill. (.pdf)
Clark, Jim. “Passing Time in Union Square.”
NYArts Magazine. June 1997. p. 52; ill. (.pdf)

DiComo, April. “Union Square Project Designed to be New City Landmark.” New York Construction News. May 12, 1997. ill.
Keenan, Georgina. “Letting Off Steam.” ARTnews. May 1997. p. 36; ill. (.pdf)
Lazzati , Cristina. “Ventun piani di frivolezza.”L’Espresso. April 24, 1997. p. 147; ill. (.pdf)
Eccles, Tom. “A timepiece for the millennium and beyond.” Inprocess. Spring 1997. p. 2; ill. (.pdf)
Vogel, Carol. “An ‘Artwall’ at Union Square.” The New York Times. March 7, 1997. p. C34; ill. (.pdf)
Phillips, Patricia C. “Making Memories.” Sculpture. March 1997. pp. 22-27; ill. (.pdf)
“New Look unveiled for Union Sq. South.” The Villager. February 26, 1997.
Princethal, Nancy. “Kristin Jones and Andrew Ginzel at TZ’ Art.“ Art in America. February 1997; ill. (.pdf)
Oser, Alan J. “Renewal of Union Square Reaches a Key Block.” The New York Times. January 19 1997. p. 1; ill.
“The Shape of Things to Come: Union Sq. So. To Change the City’s Skyline.” The Union Square Supplement. 1997.
Ely, Margot. On Writing Qualitative Research: Living by Words. Falmer Press Teachers Library, Routledge Falmer: April 1997. pp. 308-309.
Lippard, Lucy R. The Lure of the Local. New York: The New Press Publisher, 1997. p. 265; ill.
Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. Upper Saddle River: Prentice Hall, 1997. pp. 273-274, 284; ill.
New • Land • Marks: public art, community, and the meaning of place. Philadelphia, PA: Fairmount Park Association. p. 8.; ill.
Neuberger Museum of Art 1997 Biennial Exhibition of Public Art (Exhibition catalog). Purchase College: Purchase NY, 1997. pp. 42-43.; ill.
Siler, Todd. Breaking The Mind Barrier. New York: Touchstone, 1997. p. 319.
Vaughan, David. Merce Cunningham: Fifty Years. New York: Aperture, 1997. Field And Figures pp. 243-245, 300; ill.


Cullum, Jerry. “Art at the Centennial Olympic Games.” Art Papers. Nov/Dec 1996. p. 24; ill. (.pdf)
von Ziegeesar, Peter. “Kristin Jones & Andrew Ginzel.” ArtNet. October 28, 1996. (.pdf)
Ehrenwoth, Andrew. “Seeing the Light.” New York Magazine. October 14, 1996. p. 109; ill.
Review of Enigmas. The New Yorker.
October 14, 1996. p. 22.
Review of Enigmas. The Village Voice.
October 8, 1996. p. 60.
Sundell, Nina. “Yaddo Artists Expand Boundaries of Public Sculpture Worldwide.” Yaddo News. Fall1996. pp. 1-5; ill.
Fox, Catherine. “Downtown Partnership seeks funds to keep flag.” The Atlanta Journal-Constitution. August 30, 1996. Section C.
Davis, Yusuf. “Around Town: Motivation aimed at ordinary folks.” The Atlanta Journal; the Atlanta Constitution. August 22, 1996. p. D1.
“Special Section of Enigmas.” The Atlanta Journal-Constitution. Tuesday, July 2, 1996. Section H. “Olympic Weekly.” The Atlanta Journal-Constitution. June 28, 1996. Section D.
Harper, Glenn. “Public Art for the Olympics, Atlanta 1996.” Public Art Review. Spring/Summer 1996.p. 37; ill.
19 Projects: Artists in Residence at the MIT Visual Arts Center. Cambridge, MA : Massachusetts Institute of Technology, 1996. pp. 109-120. ill.
People in Glass Houses. (Exhibition Brochure). Brooklyn, N.Y: Robert Lehman Gallery, Urban Glass. 1996
Finkelpearl, Tom. “Le rôle de l’artiste dans l’aménagement et le développement urbains.” Art et Mégalopole. RN 86. p.23-33; ill.


Acocella, Joan. “Artists Take Over.” The Village Voice. November 28, 1995. p. 83. (.pdf)
Nathan, Jean. “Artists in Action; BAM Visual Arts Initiative.” Next Wave Journal. October 1995. p. 42. (.pdf)
Baumgartner, Henry. “BAM New Wave Festival: Dancing On A Line.” Internet Review. October 1995.
Marziani, Gianluca. “Eventi a Roma, Nel Corso del Tempo.” Flash Art. Summer 1995. p. 24.
Festa della Musica: 1995 Imagini e Voci (Exhibition catalog). Rome, Italy: Edizioni Osservatorio s.r.l. per la Cooperativa Infrarosso, 1995. pp. 52-53; ill.
Gee, Marie. “Yes in My Front Yard: Participation and the Public Art Process.” High Performance. Spring/Summer 1995. ill. Community Arts Network.
McAvin, Margaret. “Installing The Invisible.” I.D: The International Design Magazine.January/February 1995. pp. 56-57. (.pdf)
About Time: Temporality in the Art and Architecture of the Landscape (Symposium and exhibition catalog). The Rhode Island School of Design, 1995; ill.
American Academy in Rome. Celebrating a Century. New York: 1995.
Schmertz, Mildred F. Zimmer Gunsel Frasca, Building Community. Rockport, MA: Rockport Publishers, 1995. pp. 73-75; ill.


“New York: Stuyvesant High School.” Abitare. 334, November 1994. pp. 168-169; ill. (.pdf)
Zorpette, Glenn. “Dynamic Duos.” ARTnews. September 1994. pp. 33-41. (.pdf)
Zorpette, Glenn. “Dynamic Duos: How Artist Teams Work.” ARTnews. Summer 1994. pp. 165-169.
Clark, James and Tom Eccles. “Public Art Fund’s Urban Paradise: Garden in the City.“ Public Art Issues. April – July 1994. pp. 28-29. (.pdf)
Chopra, Suneet. “On a Downward Slide.” The Hindustan Times. February 20, 1994. p.1.
“Blast 4: Bioinformatica.” Exesis: A key for Bioinformatica. New York: The X-Art Foundation; ill.


Padon, Thomas. “New York, New York.” Sculpture. November-December 1993. p. 53. (.pdf)
Kimmelman, Michael. “The Exquisite Corpse Rises From the Dead.” Art View, The New York Times. November 7, 1993. p. 41.
Gardner, James. “The Ruins of 42nd Street.” National Review. October 4, 1993. pp. 62-63.
Walsh, Tom. “NYC’s 42nd Street Opens Its Doors and Windows to Ask, ‘But Is It Art?’.” Backstage. July 9-15, 1993.
Smith, Roberta. “A 24-Hour-a-Day Show, on Gaudy, Bawdy 42nd Street.” The New York Times. Friday, July 30, 1993. p. C26.
Cohen, Gigi. “Blast Echo Recorded for Future.”New York Newsday. July 8, 1993. (.pdf)
Vogel, Carol. “In Times Square, Art Conquers Kung Fu.”The New York Times. July 7, 1993. p. C13.
Rothman, Michael. “Gussying Up The Great White Way: Soho Meets 42nd St.” In “An Explosion of Public Art.”Chelsea Clinton News. July 1-7, 1993.
Tallmer, Jerry. “Dada on 42nd Street.” New York Post. July 2, 1993.
Davis, Douglas (Essay). The Nature of the Machine: An Exhibition of Kinetic and Biokinetic Art (Exhibition catalog). Chicago: Chicago Cultural Center, April 3-May 30, 1993. p. 19; ill.
Artner, Alan G. “Oh, those marvelous toys: Turning machines into playthings.” Chicago Tribune. April 25, 1993. p. 22.
Ginzel and Jones. “Project for Dance, Inc” (Magazine illustration). Dance Ink. Spring 1993. p. 18; ill. ?
Slatin, Peter. “High School Memories.” ARTnews. February 1993. (.pdf)
Pasch, Ina. “Artists’ Work Warns of Culture Losses.”Showcase; Wisconsin State Journal.
January 17, 1993. p. 1F.
Rhem, James. Review of Dinoesis. Isthmus. January 1, 1993. p. 21.
“Blast 3: Remaking Civilization.” Equipollence, The Denominator/Rectifier. New York: The X-Art Foundation, 1993-94. ill.
The Return of The Cadavre Exquis (Exhibition catalog, The Drawing Center). New York: 1993.


Schwartz, Melissa. “Mnemonics: The Cubicles.” The Spectator: Stuyvesant High School Newspaper. December 3, 1992. Cover Page.
Lansett, Andy. “Public Art.” National Public Radio, Weekend Edition (#871122). September 1992. Advertisement for Mnemonics. Artforum.
Summer 1992.
Mitchell, W.J.T. “The Pictorial Turn.” Artforum. March 1992. p. 93.


Lawrence, Sidney. “Sculpting the Land at Oliver Ranch.”Garden Design. December 1991.
pp. 14-17; ill.
Kastner, Jeffrey. “On View: Minneapolis.” New Art Examiner. June / Summer 1991. p. 38; ill. (.pdf)
Meckanika (Exhibition catalog). Cincinnati, OH: The Contemporary Arts Center. May 24-July 13, 1991. pp. 24-25; 50; ill.
“Plethora: A Project for Artforum.” Artforum. May 1991, p. 128; ill.
Abbe, Mary. Review of Naos. Minneapolis Star-Tribune. April 4, 1991. p. 10-E. (.pdf)
Levin, Kim. “Collective Conscious: Contemporary Sculpture Collaborations.” Sculpture. March-April 1991. pp. 32-39.
“Commissions.” Sculpture. Vol. 10, No. 2. March-April 1991. p. 54; ill. (.pdf)
Hellekson, Diane. “Inner Sanctum.” Saint Paul Pioneer Press. March 30, 1991. p. 12B; ill.
Sunita, Paul. Review of 7th Triennale. Indian Express Magazine. March 3, 1991. p. 3.
Sircar, Anjali. Review of 7th Triennale. The Hindu. March 3, 1991. pp. 1, 11.
Dietsch, Deborah K. “Twin Peaks.” Architecture. March 1991. p. 93; ill.
Plagens, Peter. “Clinkers to Clevers to Chance.”Newsweek. January 14, 1991.
Phillips, Patricia C. Review of Damon Brandt Gallery exhibition. Artforum. January 1991. p. 127; ill. (.pdf)
VII Triennale India (Exhibition catalog). New Delhi: Lalit Kala Akademi: 1991. p. 2; ill.
Goncharov, Kathleen. Arts America Program, USIA(Exhibition brochure), 1991. ill.
Heartney, Eleanor. Kristin Jones/Andrew Ginzel: Naos (Exhibition catalog). Minneapolis College of Art and Design, 1991. ill. [Alkahest, Analemma, Antithesis, Atoll, Mobius, Naos Seraphim, Spheric Storm, Vis a Vis] (.pdf)
Horne, Murray, Curator. Azens: A Two Part Collaborative Installation at the Wood Street Station. Pittsburgh, PA: The Three Rivers Art Festival, 1991.
The Louis Comfort Tiffany Foundation. 1991 Awards in Painting, Sculpture, Printmaking, Photography, and Craft Media. pp. 12-13; ill.
Pacific Enterprises. The Art Collection of Pacific Enterprises. Los Angeles, CA: Pacific Enterprises, 1991. p. 40.


Review of exhibition at Damon Brandt Gallery, New Yorker. October 29, 1990. p. 15.
Mayer, James. “Center Open for Business, Fun.” The Oregonian. September 22, 1990. p. D1; ill.
Gragg, Randy. “Art: Pendulum Combines Time and Space.” The Sunday Oregonian. September 9,1990. pp. L1, L4; ill. (.pdf)
Kellein, Thomas. “Jones + Ginzel: Künstler-paare.”Kunstforum International. Köln, West Germany: March/April 1990. pp. 178-180; ill.
Thrush, Glenn. “Stuyvesant to Pack Past inGlass.”Downtown News. March 9, 1990. p. 5.
Heartney, Eleanor. “Memory Traces.” Art & Auction. March 1990. pp. 184-189; ill. (.pdf)
Freeman, Phyllis I. New Art. New York: Harry R. Abrams, Inc.: 1990. p. 97; ill.
La Collezione Permanente (Exhibition catalog of the Permanent Collection). Museo d’Arte Contemporanea, Prato, Italy, 1990. p. 71; ill.
Martin, Richard. The New Urban Landscape. Olympia & York Companies (U.S.A.) and Drenttel Doyle Partners, 1990. pp. 74-75; ill.
Plous, Phyllis. Pulse 2: Report on a Phenomenon(Exhibition catalog). University Art Museum, Santa Barbara, California. 1990. ill.
Siler, Todd. Breaking The Mind Barrier. New York: Simon & Schuster, 1990. p. 319.
Sollins, Susan, and Nina Castelli Sundell. Team Spirit(Exhibition catalog). Independent Curators, Inc., New York, and Neuberger Museum, State University of New York at Purchase. pp. 52-53; ill.


Coromilas, Dmitri L. “Kristin Jones + Andrew Ginzel: ‘Antithesis.'” Texni/Art. Athens, Greece: November 28, 1989. pp. 14-15, 38-39; ill. (.pdf)
Koplos, Janet. “Art ‘Installations’ on Display at the Aldrich Museum.” The Advocate and Greenwich Time. November 19, 1989. p. D1; ill.
Zimmer, William. “The Aldrich Fills its Rooms with Expansive Sculptures.” The New York Times. November 12, 1989, Connecticut Section, p. 36; ill. (.pdf)
Sakane, I. “Kristin Jones + Andrew Ginzel.” Kagaku Asahi: Monthly Journal of Science (Japan). November 1989. pp. 70-73; ill.
Heartney, Eleanor. “The Drowned World: Waterworks.” ARTnews. October 1989. p. 211; ill. (.pdf)
Sculpture. September/October, 1989. Cover illustration.
Russell, John. “From a Glorious Past to a Conspicuously Bright Future.” The New York Times. August 27, 1989. pp. B31, B33; ill.
“Von Galilei zum Kunstlerpaar Jones/Ginzel” and “Ein Blick (Zurück) in die Schöne Weite Ferne.” Nordschweiz Basler Volksblatt. August 21, 1989. p. 3.
Müller, Hans-Joachim. “Bunte Holzbären, Schwarzer Krater.” Basler Zeitung. August 21, 1989. p. 27.
“‘Augen-Blick’ auf Leben und Kunst.” Basler Zeitung. August 17, 1989. p. 49; ill.
McNally, Owen. “Atheneum Assigns Contemporary Art to Front Row.” The Hartford Courant. July 24, 1989. pp. D1-D2; ill.
Brenson, Michael. “The Drowned World: Waterworks.” The New York Times. June 16, 1989. p. C23. (.pdf)
Lambert, Pam. “Art: The World According to Jones / Ginzel.” The Wall Street Journal. June 15, 1989. p. 11A; ill. (.pdf)
“Goings on about Town.” The New Yorker. May 8, 1989. p. 16.
Battey-Lewis, Jean. “Merce Cunningham’s Second Night Gives Dancers the Chance to Shine.” The Washington Times. May 6, 1989.
Sommers, Pamela. “Freedom and Form.” Washington Post. May 5, 1989. Dance Section.
Mifflin, Margot. “Art Partners Jones and Ginzel.”Elle. May 1989. p. 64. (.pdf)
Croce, Arlene. “Crises.” The New Yorker. April 3, 1989. pp. 106-108.
Tsai, Eugenie. “Kristin Jones and Andrew Ginzel; Damon Brandt Gallery.” Arena (Madrid, Spain). April 1989. pp.116-7; ill.
Photo of Charybdis in Bermant advertisement.ARTforum. April 1989. p. 71.
Jowitt, Deborah. “New Worlds.” The Village Voice. March 28, 1989. pp. 89-90.
Kisselgoff, Anna. “Cunningham: Far From Arbitrary Abstractions.” The New York Times. March 19, 1989. p. B8.
Mazo, Joseph H. “‘Field and Figures’ Filled with Images of Striking Beauty.” The Record. March 9, 1989.
Barnes, Clive. “Not a Man for All Seasons.” New York Post. March 9, 1989.
Berman, Janice. “A Vast Field of Movement.” New York Newsday, March 9, 1989. part 2, p. 8. (.pdf)
Anderson, Jack. “Fleeting Patterns Evoke an Ephemeral World.” The New York Times. March 9, 1989. (.pdf)
Jurrist, Charles. “Turns, But No Turn-On.” The Daily News. March 9, 1989. p. 51; ill. (.pdf)
Wooster, Ann-Sargent. “Kristin Jones/Andrew Ginzel.” 7 Days (New York). March 1, 1989. p. 57.
Perreault, John. “Through A Glass Darkly.” ARTforum, March 1989. pp. 106-112; ill.
Timmis, Joan. “Merce Cunningham Dancers Cap Residency with Stunning Premiere.” Star Tribune (Minneapolis). February 20, 1989. p. 5B.
Review of Ecclesia. The New Yorker. February 20, 1989. p.16.
Fleming, Michael. Review of Field & Figures, St. Paul Pioneer Press Dispatch. February 19, 1989.
Timmis, Joan. “Cunningham’s New ‘Field & Figures’ is Like a Walking Tour of Outer Space.” Star Tribune (Minneapolis). February 19, 1989. p. 2B.
Fleming, Michael. “At The Mercy of Merce.” St. Paul Pioneer Press Dispatch. February 12, 1989. pp. 1D, 3D; ill.
Steele, Mike. “Independent Parts Make Merce Cunningham’s Dance Whole.” Star Tribune (Minneapolis). February 12, 1989. pp. 1F,4F.
Ben-Haim, Tsipi. “Interaction: Light, Sound, Motion.”Sculpture. January/February 1989. p. 93.
Jenkins, Jim and Dave Quick. Motion-Motion Kinetic Art. Salt Lake City, Utah: Gibbs Smith Publishers, 1989. pp. 54-57; ill.
Kellein, Thomas and Phillips, Patricia C. Antithesis(Exhibition catalog with essay by Patricia Phillips). Kunsthalle Basel, 1989. ill.
Martin, Richard, ed. The New Urban Landscape(exhibition catalog). New York: Olympia and York Co.’s, 1989. pp. 74-75, 115, 127; ill.
O’Donnell, Ellen. Project: Installation (Exhibition catalog). Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. pp. 10, 11, 22; ill.
Phillips, Patricia and Thomas Kellein. Kristin Jones and Andrew Ginzel. Kunsthalle Basel: 1989. (.pdf)
Tomlins, Finkelpearl, and Phillips. The Drowned World: Waterworks (Group exhibition catalog). P.S. 1, Long Island City, New York: 1989. p. 18; ill.


Benedetti, Stefano. Incontri. November 1988. pp. 12-14 and cover; ill
Mahoney, Robert. Review of Metathesis. New York Press. October 28, 1988.
Levin, Kim. “Choices.” The Village Voice. October 25, 1988. p. 44.
Tully, Judd. “Off The Wall.” Taxi Magazine. October 1988. pp. 120-125; ill.
Zimmer, William. “Kinetic Sculptures, Abstract Techniques.” The New York Times. August 14, 1988. Arts & Leisure section.
Russell, John. “Provocative Exhibitions at Museums and Galleries.” The New York Times. August 5, 1988. p. C22.
Phillips, Patricia C. “Constructions between Sculpture and Architecture.” ARTforum. Summer 1988. pp.140-141.
Jones, Kristin and Andrew Ginzel. Charybidis (Lecture and reception invitation with description). Cambridge, MA: MIT List Visual Arts Center, May 7-June 26, 1988.
Temin, Christine. “Creating a Sense of Wonder About the Universe.” The Boston Globe. May 31, 1988. p. 96; ill. (.pdf)
Jill Peters, producer. Innovations. Channel 13 Public Television. Spring 1988.
Leroyer, Ann. “New York Artist Team Named to First Rouse Residency at the GSD.” GSD News. Harvard University Graduate School of Design: Spring 1988. p. 17; ill.
Indiana, Gary. “Science Holiday.” The Village Voice. March 15, 1988. p. 90.
Levin, Kim. “Constructions: Between Sculpture and Architecture.” The Village Voice. March 15, 1988. p. 42.
Harvard University Gazette. March 4, 1988. p. 2; ill.
Damsker, Matt. “Art View.” The Hartford Courant. February 14, 1988. p. G6; ill.
Wilkinson, Francis. “Public Art: It Makes You Aware of Your Surroundings.” The New York Observer. February 8, 1988. p. 10.
Peck, Joyce. Review of Wadsworth Atheneum exhibition. The Register Citizen. January 26, 1988. p. 8. (.pdf)
Phillips, Patricia C. “Kristin Jones and Andrew Ginzel, CITY HALL PARK.” ARTforum. January 1988. pp. 118-119; ill. (.pdf)
Quinn-Ortiz, Patricia, ed. “Exhibitions: Kristin Jones and Andrew Ginzel.” Magazine of the Wadsworth Atheneum. Winter, 1988. p. 6; ill.
Wosk, Julie. “Art/Science Forum.” Leonardo, 1988. pp. 318-321.
Barzel, Amnon, et. al, text. Spazi ’88 / Spaces ’88(Group exhibition catalog with texts). Prato, Italy: Museo d’Arte Contemporanea, 1988. pp. 84-91; ill.
Miller-Keller, Andrea, text. Matrix 99 (Exhibition pamphlet with text). Hartford, CT: Wadsworth Atheneum, 1988. ill.
Rouse Artist-In-Residence Program (Exhibition pamphlet). Cambridge, MA: Harvard University Graduate School of Design, 1988. ill.
Taylor, Frederieke S., text. Constructions: Between Sculpture and Architecture (Group exhibition catalog with text). New York: Sculpture Center, 1988. pp. 12, 13; ill.


Adler, Margo. “Public Art.” Weekend Edition. National Public Radio. November 15, 1987 and additional broadcasts
Johnson, Barry. The Oregonian, October 11, 1987.
Morgan, Robert C. “The Spectacle in Time: A New Look at Art in Technology.” Arts Magazine. October 1987. pp. 76-79.
McGill, Douglas C. “Curator of the New York Streets.”The New York Times. September 19, 1987. Arts/Entertainment Section.
Walth, Brent. “Arts: Breaking with Convention, Oregon’s Biggest ‘1 Percent’ Program is Innovative. But Is It Fair? ” Willamette Week (Willamette, Oregon). August 27 – September 2, 1987. pp. 12-13.
Bodine, Harry. “8 Chosen to Help Add Artistic Touch to Oregon Convention Center.” The Oregonian (Portland, Oregon). August 25, 1987. p. B5.
“Kristin Jones and Andrew Ginzel Present ‘Panonemone’ in City Hall Park” (Press Release). New York: Public Art Fund, August 1, 1987.
Heartney, Eleanor. Review of P.U.L.S.E. Art in America. July 1987. p. 122.
Evans-Clark, Phillip. “P.U.L.S.E. ” Art Press (Paris, France). June 1987. p. 66.
Heiss, Alanna, Tom Finkelpearl and Jenny Dixon.P.U.L.S.E.: A Project of the David Bermant Foundation: Color, Light, Motion (Group exhibition catalog). New York: Institute for Art and Urban Resources and the Lower Manhattan Cultural Council, 1987. p. 8; ill.
Review of P.U.L.S.E., Flash Art (Italian Ed.), p. 90.
Smith, Roberta. “Singular Artists Who Work in the First Person Plural.” The New York Times. May 10, 1987. p.B29, B33.
Engler, Brigitte. Paper. May 1987. p. 41.
McGreevy, Linda. Review of P.U.L.S.E. Portfolio Magazine. April 28, 1987. p. 31.
Smith, Roberta. “Group Exhibitions Show off New Talent and Striking Styles.” The New York Times. April 24, 1987. pp. C1, C28.
Levin, Kim. “Fascination.” The Village Voice. April 12, 1987. pp. 71, 93.
Schwendinger, Leni. Lumieres: Perception-Projection.(Exhibition catalog). Centre International d’Art Contemporain de Montréal. March-April 1987. p. 42.
Sugiura, Kunie. “From Abroad, News from New York: Kristin Jones and Andrew Ginzel, Vis a Vis.” Bijutsu Techo Monthly Art Magazine (Tokyo, Japan). March 1987. p. 100; ill.
Adams, Brooks. “Kristin Jones & Andrew Ginzel at Art Galaxy.” Art in America. March 1987. p. 139. (.pdf)
ill. Tully, Judd. “Kinetic Sculpture.” Cover. February 1987. p. 5; ill. [Vis a Vis]
Bass, Ruth. “New York? New York!” Art Talk(Dallas, Texas). February 1987. p. 40; ill. (.pdf)
Levin, Kim. Review. The Village Voice. January 20, 1987. p. 81.
Levin, Kim. “Kristin Jones & Andrew Ginzel.” The Village Voice. January 13, 1987. Centerfold, p. 68.
Cubbs, Joanne. Eccentric Machines (Group exhibition catalog). Sheboygan, Wisconsin: John Michael Kohler Arts Center, 1987. ill.
New York Foundation for the Arts. 1987 Artists’ Fellowships. New York Foundation for the Arts. p. 64.


Verzura, Donatella, and Gregorio Magnani. “Lumieres.”Flash Art (Italian Ed.). November 1986. p. 64. Also in French in Flash Art (International Edition). December 1986 – January 1987. p. 115.
McGill, Douglas C. “Art People: Collaborators Depict Nature.” The New York Times. November 21, 1986. p. C33; ill. (.pdf)
Phillips, Patricia C. “Art in the Anchorage.” ARTforum. November 1986. pp. 139-140.
Advertisement for Vis a Vis. ARTforum. November 1986.
Evans-Clark, Phillip. “Montreal, Lumieres.” Art Press(Paris, France). November 1986. p. 65.
Pozzi, Lucio. “Che ve ne sembra dell’America? Il teatro di Giulio Camillo contro l’amnesia morale dell’America d’ogg.” Il Giornale dell’Arte. November 1986. ill.
Gottesman, Alice and Donald, Linda. “They Do Windows: Notable Displays.” The Village Voice. October 21, 1986. p. 33.
Howell, John. “Matthew Maquire, the Memory Theatre of Giulio Camillo.” ARTforum. October 1986. pp. 135-136.
Gumpert, Lynn, interview. Triptych (Exhibition pamphlet with interview). New York: The New Museum of Contemporary Art, September 26-November 30, 1986.
Artner, Alan G. “44 Artists Show the Light Touch Has Many Facets.” Chicago Tribune. September 14, 1986. Section 13, pp. 18-19. (.pdf)
Solomon, Alisa. “Theatre, the Memory Theatre of Giulio Camillo.” The Village Voice. September 9, 1986. Centerfold, pp. 62-63; ill.
Cameron, Dan. “Ten To Watch.” Arts Magazine. September 1986. pp.40-43; ill. (.pdf)
Scala, Mark. “Kristin Jones/Andrew Ginzel, Chuck Henry.” New Art Examiner. Summer 1986. p. 51; ill. (.pdf)
Evans-Clark, Phillip. “Messages Sent in the Medium of Light.” The New York Times. August 17, 1986. p. B29. (.pdf)
Solomon, Alisa. “View from the Bridge.” The Village Voice. July 1, 1986. p. 106.
Artner, Alan G. “What’s New In Art?” Chicago Tribune. June 29, 1986. Section 13, p. 27.
Holland, Bernard. “Music: Images in ‘Memory Theater.’”The New York Times. Sunday, June 29, 1986.
Levin, Kim. Review. The Village Voice. June 24, 1986.p. 76.
Dunning, Jennifer. “New Realm of Theatre Inside a Bridge’s Vaults.” The New York Times. June 6, 1986. pp. C1, C17. (.pdf)
Proctor, Roy. “Intellectual Buttressing Accompanies Museum Exhibit.” The Richmond News Leader. March 1, 1986. p. A57.
Saucer, Moira. “MUSEUMS: Spectacular Mosaics and Creations in Space at the Virginia Museum.” Style Weekly (Richmond, VA). February 25, 1986. p.18.
Merritt, Robert. “New Shows Challenge Perceptions.”Richmond Times-Dispatch. February 21, 1986. p. C8; ill.
Crutchfield, Margot. Installations (Exhibition brochure). Richmond, VA: Virginia Museum of Fine Arts. February 19-March 30, 1986. pp. 4-7
Boca Raton Museum of Art. Art in the Environment(Exhibition catalog publication in cooperation with The President’s Ball). February 1, 1986. p. 135; ill.
“On Location: Inventing Pangaea.” Special Project forARTforum, February 1986. pp. 4-5; ill.
Princenthal, Nancy. “After Tilted Arc at Storefront for Art and Architecture.” Art In America. February 1986. pp. 126-127.
Richmond Times-Dispatch. January 12, 1986.
pp. K-19; ill.
Creative Time, Inc. The Memory Theatre of Giulio Camillo (Exhibition catalog). New York: Creative Time, Inc., 1986.
Gould, Claudia. National and International Studio Artists Program 1985-1986 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower. p. 38; ill.
Invitational Exhibition (Group exhibition catalog). New York: Grace Borgenicht Gallery, 1986. ill.
Advertisement: “PS 1 and the Clocktower’s
National and International Studio Artists Exhibition.”ARTforum. December 1985.
Brenson, Michael. “Art: P.S. 1 Shows Work of 35 Younger Painters.” The New York Times. December 6, 1985. p. C26.
Panicelli, Ida. “Kristin Jones & Andrew Ginzel.”ARTforum. November 1985. p. 102; ill. (.pdf)
Cameron, Dan. “Springtime on the Fringe.” Arts Magazine. September 1985. p. 67. (.pdf)
Raynor, Vivien. “Downtown Scene: What’s New and Fresh.” The New York Times. February 15, 1985.
p. C20.
Mifflin, Margot. “Trunks of the Mind.” High Performance. 1985. p. 92.
Gould, Claudia. National and International Studio Artists Program 1984-1985 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower, 1984-1985. p. 34; ill


Advertisement: “PS 1 and the Clocktower’s
National and International Studio Artists Exhibition.”ARTforum. December 1985.
Brenson, Michael. “Art: P.S. 1 Shows Work of 35 Younger Painters.” The New York Times. December 6, 1985. p. C26.
Panicelli, Ida. “Kristin Jones & Andrew Ginzel.”ARTforum. November 1985. p. 102; ill. (.pdf)
Cameron, Dan. “Springtime on the Fringe.” Arts Magazine. September 1985. p. 67. (.pdf)
Raynor, Vivien. “Downtown Scene: What’s New and Fresh.” The New York Times. February 15, 1985.
p. C20.
Mifflin, Margot. “Trunks of the Mind.” High Performance. 1985. p. 92.
Gould, Claudia. National and International Studio Artists Program 1984-1985 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower, 1984-1985. p. 34; ill


“E’ Inoltre.” La Repubblica. June 1984.


Sozanski, Edward J. “Light is Structural in Elastic Sculpture.” The Providence Journal, 1981